Three Dorothy L. Sayers mysteries involving amateur sleuth extraordinaire Lord Peter Wimsey and the lovely Harriet Vane are realized to perfection in these 1987 BBC adaptations. In Strong Poison, Harriet (Harriet Walter) is on trial for murder. Lord Peter (Edward Petherbridge) becomes enchanted by her and decides she cannot possibly be guilty. What follows are the twin stories of Lord Peter's search to find the real killer and his romantic pursuit of Harriet. Both are charming. As always, Sayers has plotted her story brilliantly, with a satisfying mystery and a sly comic touch (a gentle poke at the spiritualist movement is particularly fun). The period atmosphere is pulled off naturally and with close attention to detail, and the adaptation has a careful reverence for Sayers's novel. The performances are all remarkably strong. Petherbridge is perfect as Wimsey, revealing his brilliance and allowing him to be hopelessly in love without ever damaging his dignity. Walter plays Harriet with rich nuance, saying as much with her silences as she does with her lines, and Richard Morant is quietly fantastic as the remarkable Bunting. 　　Harriet, fresh from the trial, tries to get away from it all and ends up stumbling over a recently killed body in Have His Carcass. Unable to resist a crime (or, for that matter, Harriet), Lord Peter is soon on the case. In Gaudy Night, Lord Peter is still proposing at frequent intervals, and Harriet, though unable to say yes, is also unable to send Lord Peter entirely away. But enough with the romance. As Wimsey heads off for some foreign service work, Harriet visits her Oxford alma mater and lands smack in the middle of a poison-pen scandal. Harriet's status as a mystery writer, naturally, means she's the one who should investigate. Sayers clearly had fun writing this one, using Harriet to gently tweak her own profession, at the same time both parodying and defending the cloistered life at a women's college. --Ali Davis

Three Dorothy L. Sayers mysteries involving amateur sleuth extraordinaire Lord Peter Wimsey and the lovely Harriet Vane are realized to perfection in these 1987 BBC adaptations. In Strong Poison, Harriet (Harriet Walter) is on trial for murder. Lord Peter (Edward Petherbridge) becomes enchanted by her and decides she cannot possibly be guilty. What follows are the twin stories of Lord Peter's search to find the real killer and his romantic pursuit of Harriet. Both are charming. As always, Sayers has plotted her story brilliantly, with a satisfying mystery and a sly comic touch (a gentle poke at the spiritualist movement is particularly fun). The period atmosphere is pulled off naturally and with close attention to detail, and the adaptation has a careful reverence for Sayers's novel. The performances are all remarkably strong. Petherbridge is perfect as Wimsey, revealing his brilliance and allowing him to be hopelessly in love without ever damaging his dignity. Walter plays Harriet with rich nuance, saying as much with her silences as she does with her lines, and Richard Morant is quietly fantastic as the remarkable Bunting. 　　Harriet, fresh from the trial, tries to get away from it all and ends up stumbling over a recently killed body in Have His Carcass. Unable to resist a crime (or, for that matter, Harriet), Lord Peter is soon on the case. In Gaudy Night, Lord Peter is still proposing at frequent intervals, and Harriet, though unable to say yes, is also unable to send Lord Peter entirely away. But enough with the romance. As Wimsey heads off for some foreign service work, Harriet visits her Oxford alma mater and lands smack in the middle of a poison-pen scandal. Harriet's status as a mystery writer, naturally, means she's the one who should investigate. Sayers clearly had fun writing this one, using Harriet to gently tweak her own profession, at the same time both parodying and defending the cloistered life at a women's college. --Ali Davis

电视剧《侦探小说》打造国内首部侦探悬疑推理题材，以一部匿名投稿的连载惊悚小说，预言成为真实的连环谋杀案为主要线索，展现上世纪四十年代上海滩一个旷世奇案。患有神经和心理疾病的“变态探长”不可思议地成为杀人疑犯，艰辛逃亡并追查凶案，牵扯出一个个匪夷所思、不为人知的惊天秘密，涌现出无数神秘诡异、来路不明的 　　各方人物，杀手之谜、身份之谜、巨大宝藏之谜，更有一段尘封三十年的灭门血案浮出水面。迷雾重重、悬念不断、错综复杂、扣人心弦，上演了一段精彩纷呈、引人入胜的大型侦探故事。

电视剧《侦探小说》打造国内首部侦探悬疑推理题材，以一部匿名投稿的连载惊悚小说，预言成为真实的连环谋杀案为主要线索，展现上世纪四十年代上海滩一个旷世奇案。患有神经和心理疾病的“变态探长”不可思议地成为杀人疑犯，艰辛逃亡并追查凶案，牵扯出一个个匪夷所思、不为人知的惊天秘密，涌现出无数神秘诡异、来路不明的 　　各方人物，杀手之谜、身份之谜、巨大宝藏之谜，更有一段尘封三十年的灭门血案浮出水面。迷雾重重、悬念不断、错综复杂、扣人心弦，上演了一段精彩纷呈、引人入胜的大型侦探故事。

1928年的美国旧金山，34岁的哈麦特（弗雷德里克·福瑞斯特 Frederic Forrest 饰）仍然是一位卑微而不幸的低级杂志雇员，同时也深受一战时期在军队中患上的肺病的折磨。虽然年轻时曾在平克顿私人侦探公司工作过一段时间，如今他以写侦破小说为生。有一天晚上，就在他写作最后一页侦破小说时，小说中的主人公赖恩突然出现在他面前，寻求帮助找一个名叫克里斯泰的16岁的中国姑娘。在寻找过程中，哈麦特不慎丢失了随身携带的小说稿，与赖恩失去了联系。然而回到公寓后，哈麦特却发现林就在那里，她自述称被黑社会头目方伟堂卖给了一个名叫卡拉汉的人，而卡拉汉的妻子则因嫉妒而杀死了丈夫。 　　在方伟堂经营的赌场里，哈麦特用金钱赎回了丢失的小说稿。他还在警察局看到了一具据说是林的尸体，但尸体已被毁容。与此同时，他观看了一部关于林和六个男人的影片。原来，摄影师索尔特雇了赖恩去寻找林，而卡拉汉的律师黑兹唐在哈麦特遭到袭击时救了他一命。最终，在码头上，哈麦特看到了林和赖恩，他终于意识到这两人原来是一伙的。这一系列的事件揭示了复杂的阴谋和角色之间错综复杂的关系，而哈麦特则被卷入了这场深不可测的阴谋之中。

1928年的美国旧金山，34岁的哈麦特（弗雷德里克·福瑞斯特 Frederic Forrest 饰）仍然是一位卑微而不幸的低级杂志雇员，同时也深受一战时期在军队中患上的肺病的折磨。虽然年轻时曾在平克顿私人侦探公司工作过一段时间，如今他以写侦破小说为生。有一天晚上，就在他写作最后一页侦破小说时，小说中的主人公赖恩突然出现在他面前，寻求帮助找一个名叫克里斯泰的16岁的中国姑娘。在寻找过程中，哈麦特不慎丢失了随身携带的小说稿，与赖恩失去了联系。然而回到公寓后，哈麦特却发现林就在那里，她自述称被黑社会头目方伟堂卖给了一个名叫卡拉汉的人，而卡拉汉的妻子则因嫉妒而杀死了丈夫。 　　在方伟堂经营的赌场里，哈麦特用金钱赎回了丢失的小说稿。他还在警察局看到了一具据说是林的尸体，但尸体已被毁容。与此同时，他观看了一部关于林和六个男人的影片。原来，摄影师索尔特雇了赖恩去寻找林，而卡拉汉的律师黑兹唐在哈麦特遭到袭击时救了他一命。最终，在码头上，哈麦特看到了林和赖恩，他终于意识到这两人原来是一伙的。这一系列的事件揭示了复杂的阴谋和角色之间错综复杂的关系，而哈麦特则被卷入了这场深不可测的阴谋之中。

朝日台制作播出的悬疑剧，由冢本连平、宝来忠昭、小松隆志执导，黑岩勉担任编剧，玉森裕太主演，小山庆一郎、古川雄辉共演 　　该剧改编自绢田村子的同名漫画，讲述莫名其妙总是成为杀人案第一发现人的模特弥木圭与朋友们一起破案的故事。 模特弥木圭（玉森裕太饰）经常莫名其妙成为杀人现场的第一发现人，更因此屡屡面临被冤枉为凶手的危机。为了证明自己的清白，他与同为模特的朋友——沉迷推理的周防斋（小山庆一郎饰）、擅长打探情报的藤马（古川雄辉饰）组成探兴趣小队，用“华丽的手法”破解案件真相

朝日台制作播出的悬疑剧，由冢本连平、宝来忠昭、小松隆志执导，黑岩勉担任编剧，玉森裕太主演，小山庆一郎、古川雄辉共演 　　该剧改编自绢田村子的同名漫画，讲述莫名其妙总是成为杀人案第一发现人的模特弥木圭与朋友们一起破案的故事。 模特弥木圭（玉森裕太饰）经常莫名其妙成为杀人现场的第一发现人，更因此屡屡面临被冤枉为凶手的危机。为了证明自己的清白，他与同为模特的朋友——沉迷推理的周防斋（小山庆一郎饰）、擅长打探情报的藤马（古川雄辉饰）组成探兴趣小队，用“华丽的手法”破解案件真相